CONSUMING ANZAC: The History of Australia’s Most
Powerful Brand
JO HAWKINS
University of Western
Australia Publishing, 2018, 173 pages
Review by Phil Shannon
It can be hard sometimes to
give a monkey’s if forced to choose between the obligatory, sombre commemoration
of war in Australia and the more grubbily commercial profit-making from it, as CONSUMING ANZAC, by Dr Jo Hawkins
(University of Western Australia), demonstrates to those who may feel that
neither war nor consumer capitalism have all that much going for them.
Australia’s secular worship of
war is centred around Anzac Day, that most endlessly hyped day of patriotic-militarist
sentiment, the day the not-long-federated country had its “martial baptism” as
a ‘true nation’ when thousands of its soldiers were butchered (or, in the authorised
version, ‘engaged in heroic self-sacrifice’) during the failed First World War invasion
of the Gallipoli peninsula, Turkey, on April 25th, 1915.
Australia’s capitalists were
quick to see the tremendous marketing potential of Anzac Day by aligning their civilian
consumer brand with the officially revered military brand of Anzac. As early as 1916, the “commercial appeal” of
the word ‘Anzac’ was being used to flog various foodstuffs, beverages, soaps,
toys, all sorts of apparel, Rexona healing ointment (tested in the trenches!),
watches, matches, jewellery, cafés and restaurants.
‘Sacrilege’, declared the
war-time government as it promptly passed a law against the practice of appropriating
the word ‘Anzac’ for commercial purposes.
For many decades, the community guardians of the Anzac tradition, the
Returned Servicemen’s League (RSL), would dob in offenders to the government
for prosecution or public shaming.
It wasn’t until an
increasingly unpopular Vietnam War had begun to marginalise the conservative
RSL and its precious Anzac tradition that the RSL was forced to relax its stern
hold over a commerce-free Anzac Day. The
up-side for the RSL was that its shrinking coffers would be replenished by
extracting a tithe on approved commercial activity. An added bonus was that the public legitimacy
of war in general could be rekindled.
A mutually beneficial
symbiosis between commerce and commemoration gathered pace from the 1990s with
a range of lucrative, RSL-approved, and Government-blessed, Anzac-branded cultural
commodities. Books led the way - in
2003, for example, Australians bought 130 million books on Anzac, most of them “politically
anaesthetising” tomes, “celebratory page-turners” which sentimentally acclaimed
“the triumph of the human spirit” against extreme adversity. These were essentially redemptive ‘Misery
Lit’ stories which did not deepen the reader’s historical understanding of the
war and its structural geo-political-economic drivers.
Mass market tourist operators
and associated merchandise peddlers were also coining it, as tens of thousands
of young Australian and New Zealander backpackers annually trek to the sacred
site of Gallipoli for a mystical Dawn Service, the search for nationalist
epiphany accompanied by the sale of (made-in-China) tourist tat and the
opportunity for the ‘war pilgrims’ to cross off yet another destination from
the backpacker’s ‘To Do’ list, up there with “bull running in Pamplona or the
Munich Oktoberfest”.
Modern sporting/entertainment
corporate behemoths (the Australian Football League [AFL], Rugby League and
Rugby Union) are some other prominent heads of the capitalist Hydra to find war
profiteering during peacetime to be richly remunerative.
The AFL’s annual ‘Anzac Day
Clash’ (Essendon v Collingwood), for example, includes an official RSL commemorative
pre-match extravaganza, whilst the whole fixture is saturated with military
symbolism and ritual. The event has
since expanded to involve all clubs in an AFL ‘Anzac Day Round’, further
boosting income for the AFL and, for the RSL, the proceeds from the cut of the weekend’s
takings.
This is a far cry from the past,
more ‘purist’, era when it was illegal to play or watch sport, or even train,
on Anzac Day, and it is even more distant from the First World War itself when
the largely middle class (and Protestant) Essendon was one of six clubs to sit
out the war whilst working class (and Catholic) Collingwood was one of the four
that kept on playing.
Since corporate sameness has
ridden roughshod over grass roots tradition and sociological diversity,
however, the more socially homogenised professional football clubs of today lend
a more pronounced ‘national unity’ theme to the pro-war “politics of
remembrance” as enacted on the football field, playing a significant role in
normalising war as a core part of Australian nationalism.
Other corporates to enrol in
the RSL-licensed Anzac ranks have included biscuit-makers (Unibic produce the humble
‘Anzac Biscuit’), telecommunications companies (discounted Telstra call rates
on Anzac Day), McDonalds, Crown Casino, airlines (Qantas and Virgin Blue
discount flights), beer-makers (Carlton & United Breweries’ ‘Raise A Glass
Appeal’ is a classic of the ‘cause marketing’ genre, as it is known in ad-land),
whilst for just $2.25, you could download a mobile app for the mandatory ‘One
Minute’s Silence’ which, in concept and price, is a bigger scam than bottled
water.
Not to be outdone, NewsCorp used
the 2002 death of the last surviving Gallipoli veteran, Alec Campbell, to
launch a sales promotion through a commemorative medallion available with the
purchase of its newspapers. This scheme was,
however, potentially embarrassing because, Campbell, the last original Anzac, on
his deathbed, said ‘for God’s sake don’t glorify Gallipoli – it was a terrible
fiasco, a total failure and best forgotten’.
This doesn’t fit the official historical Anzac narrative at all.
Neither does it sentimentally venerate
Anzac Day, and, without the emotional propaganda pumped out by the Anzac Day
industry, the militarist flame could sputter and dim and this would never do
because you never know when and where Australia and its allies may need to
invade next in the quest for territory, resources and markets, or to counter
(in Noam Chomsky’s words) the ‘threat of a good example’ from countries seeking
independence or, worse, socialism.
For this is what ‘Anzac’ is
really all about – the use of war, in all its brutal rottenness, to stake out a
piece of the global consumer capitalist action. Despite the sometimes awkward Anzac Day dance
between military commemoration and commerce, the truth is that war and
capitalism were made for each other.
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