By RACHEL HOLMES
Bloomsbury, 2015, 508 pages
“Is it not wonderful when you come to look at things
squarely in the face, how rarely we seem to practise all the fine things we
preach to others?”, lamented Eleanor Marx in 1892. Karl’s youngest daughter was to be the tragic
victim of this truism, as Rachel Holmes explores in her biography which extricates
this pioneering revolutionary socialist-feminist from the giant shadow of her
father.
In a Britain where women had no political or economic rights,
Eleanor willingly took after her rebellious dad. The young Eleanor was questioning and combative,
absorbed in the free-thinking, theatre-loving, fun-filled and intellectually-rich
but financially-stunted Marx household.
If Eleanor inherited Marx’s political genes, she chose to nurture
them with frenetic activism and inexhaustible political stamina. Her support for the 1879 Paris Commune (‘the
first attempt of the proletariat to govern itself’, as Karl put it) gave her her
first public profile but it was her leadership in the trade union movement that
defined Eleanor’s political impact.
She was “the epicentre of strategy and organisation” for the
newly-stirring ranks of unskilled, often female, workers who had been long-ignored
by the craft unions. She opposed
divisions between skilled and unskilled unionists, and between men and women workers,
arguing that women must refuse to undercut men’s wages and that men must insist
on equal pay for women for the same work.
Eleanor’s many successes in the labour movement, however,
were not replicated in Britain’s revolutionary circles. ‘Socialism’, she said despairingly, ‘is at
present in this country little more than a literary movement’ and it was a time
of “faction, schism and split” with nationalists against internationalists, revisionists
against revolutionaries, and the anarchists against everyone. Eleanor, nevertheless, stiffened the Marxist
cause by bringing to it her strengths of organisation, strategy and economics
(she was one of the few who had actually read, and understood, Marx’s Das Kapital).
Her most original, and most enduring, contribution, however,
was the development of socialist feminism.
She detested domestic drudgery, was appalled by the grim lives of women
factory workers, and resented the cultural constraints of the period which saw
both of her (socialist) sisters’ lives wasted by the demands of housework,
motherhood and their (socialist) husbands’ careers.
Eleanor followed Engels and other Marxist men who deplored
women’s oppression and saw socialism as its solution but she went further,
making women’s liberation necessary to, as well as dependent on, socialism. Her pamphlet, ‘The Woman Question: From a
Socialist Point of View’, refocused feminism from its limited rights for middle
class women to full equality at work and at home for the great mass of poor,
working class, women.
Despite her feminist principles, however, Eleanor’s own
‘free-love union’ with the playwright and socialist, Edward Aveling, spectacularly
failed to achieve socialist-feminism in one household. Economic independence or domestic equality
was doomed for her because, although “Eleanor loved Edward”, “Edward loved
himself”.
Aveling’s main interest was in sponging off Eleanor’s
earnings and exploiting her famous name as his passport to fame. He treated lecture tour expenses as his own
little pork barrel, did no share of the housework, and was decidedly lacking in
courage compared to Eleanor who put herself in the front line of free speech
and free assembly fights and wore the scars of police violence for her pains.
To top it all off, he killed her. Or she suicided. Soon after she had shatteringly discovered
that the latest in Aveling’s series of sexual infidelities had resulted in a
clandestine marriage to a 22-year-old actress, Eleanor was found dead in 1898
from chloroform and prussic acid (cyanide).
Her timely death also opened Aveling’s way to the money the
recently-deceased Engels had bequeathed to Eleanor (Aveling had been the chief
beneficiary of Eleanor’s will and remained so after he destroyed the codicil by
which Eleanor had disinherited him after her discovery of his secret
marriage). Literally or morally, either way,
Aveling was responsible for Eleanor’s death.
Holmes’ book is more a page-turner of a period historical
novel, narratively propelled by the collision course between the villainous
Aveling and the deaf-to-all-warnings Eleanor, than a politically-rounded
biography. Eleanor, for example, agitated
for an electorally-focused labour party but lacked any premonition of the
pitfalls of parliamentarism, which Holmes, despite the benefit of over a
century of disillusioning hindsight, also does not critically explore.
Nevertheless, Eleanor Marx’s forty-three years of
socialist-feminist activism are dynamic enough to make even a romantic
pot-boiler a tribute to her and her cause.
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